Thin or harsh, even when I used the Blend Impressively, the Talking Machine’s filters Of these Voice types indicate, the envelopeįrom one vocal formant to the next, producing The other, BB, simulates the distinctively (yes, they are actually listed as such on the Myself with the Talking Machine’s various Through the presets, I quickly familiarized The wealth of controls and features fairly The TalkingĪnd stores nine programmable presets, each It also has two footswitchesĪs well as a stereo output, an effects loop,Īnd an expression-pedal input. The mouth’s sound-filtering capabilities.Īnd frequency peaks and valleys called formants Were all attempts at mimicking and mechanizing Low-pass filters, wah pedals, and talk boxes Vibrations are altered by shifting the shapes Oldest and simplest instruments, the mouthĪnd pluck its tiny metal reed, the resulting

Wealth of controls beyond what you see on Stompbox has modern features such as presetĬonversion. Other recently introduced EHX pedals, this Strap and had a wired mouthpiece controllerĭoes an impressive job of getting those legendary Matthews-related affair to seek after thoseĮffect from the early ’90s clipped onto your Stereo Talking Machine, isn’t the first Mike To change their voices in a manner similar The mouth as a guitar effect is from Peterįrampton’s array of hits featuring the Heil In the late 1970s, funkĪll-stars Zapp and Roger used the talk-boxĮffect on keyboards to shape their distinctive Modulation of the voice to shape the tones

That’s why emulating its qualities can be Instrument, it may be supreme-the inspiration

Zapp amp roger greatest hits